The 1950s witnessed probably the most significant theater puppetry performers in Latin America. In Mexico, the instructor Roberto Lago (1903-1995), co-founder for the Teatro Guignol which operated between your end of this 1940s in addition to 1950s that are mid created the Grupo El Nahual with Lola Cueto (1897-1978). Lago proved a fantastic impact maybe not just inside the country but additionally in Venezuela. In addition to their research focus on the origins of Mexican puppetry, he was among the great dramaturges of children’s theater. Their newsprint, Los Angeles Hoja del titiritero independiente (The Independent Puppeteer Newspaper) had been a standard and brought numerous Latin US and puppeteers that are worldwide contact. Mexico ended up being one of many nations that distinguished it self by utilizing puppetry for literary okcupid promotions where the character of Don Ferruco, developed by Gilberto Ramirez Alvarado, played a role that is vital.
The Argentines Mané Bernardo (1913-1991) and Sarah Bianchi (1922-2010) were additionally fundamental towards the advertising of puppetry arts in Latin America, going to probably the most regions that are remote Argentina as well as other countries. Functions developed by Mané Bernardo are very respected and examined in universities while her pupil and buddy Sarah Bianchi’s strive to the remains a reference for many puppeteers day.
The itinerant tradition is certainly caused by represented by Javier VillafaГ±e (1909-1996), whom travelled the complete sub-continent along with his cart, adding to the growth of puppetry arts through their programs, seminars and workshops, specially in Uruguay, Venezuela and Chile. He additionally left a repertoire that is important and their Los Angeles Calle de los Fantasmas (the road of Ghosts) is frequently done for quite some time by a number of troupes.
Other Argentines – Juan Enrique Acuña (1915-1988), together with brothers Héctor and Eduardo Di Mauro – additionally played roles that are important disseminating puppetry, in specific in Venezuela and Costa Rica.
In main American nations (Honduras, Guatemala and particularly the Dominican Republic), puppet theatre catered to children and was nurtured in schools.
The scene that is contemporary
A big wide range of troupes presently in presence had been produced into the 1970s. These groups have now come together in the search for a specific aesthetic language beyond the varied techniques of manipulation after years of experimentation. In reality, through the 1990s puppet theater gained energy across Latin America. Along with glove that is traditional, other techniques – rod puppetry, string puppetry, shadow theater, black colored (light) theater, blended methods, noticeable manipulation, object theater, tabletop puppetry – are increasingly being explored. Actors, things, puppets, dance and music intermingle in present trends in European countries while the united states of america. Another method fashionable is “las cajas misteriosas” (mysterious bins) in which the spectator views a brief performance through a peephole. The pioneers in this domain are Mariana Frare in Rosario, Argentina, Mónica Simões in Brazil, therefore the Baúl Teatro in Monterrey, Mexico. New organizations of puppeteer-storytellers, like Las Mentirosas in Mexico and Zaguán in Chile, have actually revisited and integrated in their work traditions that are ancient Guatemala and Honduras called perras.
Puppetry normally getting used to a larger level in neuro-scientific treatment, to treat psychiatric problems, muscular infection or bone tissue illness, and it is especially practised in Uruguay, Argentina, Brazil and Chile (see Society and Puppets – Social Applications of Puppetry).
Apart from festivals, lots of museums are helping popularize puppet that is local. In Argentina, the Museo Argentino del TГtere was made in Buenos Aires by ManГ© Bernardo and Sarah Bianchi. Meanwhile, another museum was made in Los Angeles Plata by Moneo Sanz. The Museu Giramundo created at Belo Horizonte in 2001, and the Museum of Popular/Folk Art, Museu Casa do Pontal, situated in the outskirts of Rio de Janeiro in Brazil, there are the Museu do Mamulengo. In Mexico, you will find the Museo Nacional del TГtere – Huamantla, the Museo-Teatro La Casa de los TГteres de BaГєl Teatro in Monterrey, the Museo Rafael Coronel at Zacatecas, together with Museo del TГtere de QuerГ©taro (Puppet Museum of the State of QuerГ©taro). In Uruguay, the Museo Vivo del TГtere (residing Museum of Puppetry) are available in Maldonado. In Chile, there is the travelling exhibits associated with FundaciГіn para la DignificaciГіn del Teatro de MuГ±ecos (FAMADIT). Venezuela gets the personal TГteres Artesanales del Mundo (Puppet Craft World) owned by Norma R. Bracho. Forum and internet sites are increasingly being dedicated to puppetry, particularly in Argentina, Brazil and Mexico.
The art of puppetry in Latin America is alive and well with no hint of disappearing anytime soon in whatever form.